I saw three of these at Sundance, where Ms. Rossellini introduced them as being made for the (very) small screen: iPods and phones. She told the audience that they combined three of favorite things: the natural environment, animation and sex. They're only sorta-kinda animated - she's in them, after all - but they're deliberately contrasty so that you can see them better on tiny screens. The sets and costumes seem rather primitive, mostly construction paper and other items easily accessed by non-movie makers like us. It was inspirational in that regard, but surreal.
I saw three of these at Sundance, where Ms. Rossellini introduced them as being made for the (very) small screen: iPods and phones. She told the audience that they combined three of favorite things: the natural environment, animation and sex. They're only sorta-kinda animated - she's in them, after all - but they're deliberately contrasty so that you can see them better on tiny screens. The sets and costumes seem rather primitive, mostly construction paper and other items easily accessed by non-movie makers like us. It was inspirational in that regard, but surreal.